Megan Fox Sexes Up For The Cover Of Esquire, Talks Mythical Creatures & Marilyn Monroe

January 15th, 2013 // Leave a Comment

Yes, we know, Megan Fox is a modern day sex symbol.

While we admit that the new mom looks crazy sexy in her new spread for Esquire magazine, we can’t help but be a little perplexed about the nature of her conversation. Read on for some choice quotes from the article discussing everything from the reality that Big Foot and leprechauns exist to the fact that she spoke in tongues at the age of 8.

On speaking in tongues: “It feels like a lot of energy coming through the top of your head — I’m going to sound like such a lunatic — and then your whole body is filled with this electric current. And you just start speaking, but you’re not thinking because you have no idea what you’re saying. Words are coming out of your mouth, and you can’t control it.”

On mythical creatures: “I believe in all of these Irish myths, like leprechauns. Not the pot of gold, not the Lucky Charms leprechauns. But maybe was there something in the traditional sense? I believe that this stuff came from somewhere other than people’s imaginations. What distracts me from my reality is Bigfoot.”

On her decision to get rid of her famous Marilyn Monroe tattoo: “I started reading about her and realized that her life was incredibly difficult. It’s like when you visualize something for your future. I didn’t want to visualize something so negative. She had all the potential in the world, and it was squandered. I’m not interested in following in those footsteps.”

On how’d she rather being doing archelogical research in Israel or Egypt than being a Hollywood bombshell: “I feel like there’s stuff literally buried there and buried where the Maya were. I would like to uncover the secrets of the universe. In my fantasy.”

Well Megan, good luck on all you endeavors. I seriously don’t even know what to think of her many. Crazy person? Or secret genius? Let us know what you think in the comments! And don’t forget to check out her sexy spread in the gallery.

By Sabba Rahbar

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